Cross Tradition Dialogue

I often describe myself as small-U universalist, I\’ll read any spiritual tradition\’s literature if it speaks to me.  Mostly it\’s mystical Christians (e.g. Meister Eckhart), Sufis, Hindus, and Buddhists.  Broken Heart, Open Heart is published in the Buddhist section of Patheos and quotes from all of these traditions. It deals with a difficult subject, bad times and our relationship to God/Sacred/Mystery. It speaks to me.

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Switching Off the Stress Response

Stress is a killer. Both my wife and I were recently at the doctors for infections. These were not isolated events. My wife\’s doctor took her aside after the exam, diagnosis, and prescription and asked, \”What\’s going on? These look like stress reactions.\” Well, they are. We are homeless (living out of a motel) and without jobs (switching careers or at least employers with some heavy consideration of unasked for retirement). I know about stress responses. And that meditation helps reduce stress response, both in frequency and intensity. But I didn\’t know it was possible to consciously switch off the stress response relatively quickly after it was triggered. Stress response on top of stress response is the real killer. Read The Ninety Second Sanity Pit Stop by Josh Korda, the teacher at Dharmapunx NYC + Brooklyn. I have increasing respect for him. Just wish he wrote more than one piece a month.

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Hate is Addictive

At first, hate makes you feel big, strong, righteous. As most addictions do. And at first, you are a human being, with an addiction. But addiction is a path with a slippery slope and the easy way is down. If you aren\’t heading up, you\’re going down. More hate, more often. For less reward. Classic definition of an addictive substance. And so you progress from a human being with an addiction to being an addict. Hate consumes the human being and only hate remains. When you are so reduced, then evil comes easy. Only the addiction matters.

While addiction is a slippery slope, it is a two way path. You can climb back up, regain being a human being. In recovery. Having traveled that path, only a Road to Damascus experience can get you off it, onto another path. Being a human being in recovery is a sustainable place to be. But off it, the slope is slippery

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Mindfulness is Not Enough

I have enormous respect for Josh Korba\’s writing. He\’s the head teacher at Dharmapunx NYC + Brooklyn. His critique of secular mindfulness teaching in Mindfulness is Not Enough is right on. As usual, ripping a practice or other bit out of another culture without understanding and bringing the necessary context results in a diminution at best, out right harm often.

For example, tatami, the rice straw mats used in Japan, are replaced annually. They are too expensive to do that in America, so health problems result. Tatami solve several problems and have numerous accommodations in the Japanese culture. Rice straw has a lot of silicon in it and does not break down or recycle easily. Being walked on for a year and then recycled works. Removing your sandals (or shoes) before walking on them keeps them clean. And because most people wear sandals (frequently a good idea in a humid climate), their feet and socks don\’t smell as much.

Without the ethical imperatives in Buddhism, mindfulness practice as stress reduction is like taking drugs to dull the pain of a soul sucking job instead of reforming or boycotting it.

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Have Fun in Your Faith

If your faith is not robust enough for jokes, puns, and other forms of playing with it, it probably isn\’t robust enough to get you through hard times.

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Seeing with Both Eyes

If you\’re sure the world is coming apart, there\’s plenty of evidence it is. If you\’re sure the world\’s getting better everyday, there\’s signs everywhere. A Buddhist teacher defined humility as seeing things exactly as they are. It\’s a difficult virtue to practice.

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Martha Graham on Perfection

There is a vitality, a life force, a quickening that is translated through you into action, and there is only one of you in all time. This expression is unique, and if you block it, it will never exist through any other medium; and be lost. The world will not have it.
It is not your business to determine how good it is, not how it compares with other expression. It is your business to keep it yours clearly and directly, to keep the channel open. You have to keep open and aware directly to the urges that motivate you. Keep the channel open.
No artist is pleased. There is no satisfaction whatever at any time. There is only a queer, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
–Martha Graham

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What Was

Much of what was
   isn\'t
and much of what is
   is broken.
This world is out of joint
   and I,
I can\'t find my way
   to a better place.

I hear the beat
   of dancing
on the other side
   of awareness,
where life moves
   with a rhythm,
effortless and easy,
   and it\'s not the
dictator\'s lockstep
   but the pulse
of life itself,
   free and
interconnected
   to that which
I can change
   and it
changes me.

Love.
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Place of No Rain

I hear the beat
   of something dancing
on the other side
   of awareness.
This thin place
   wobbles and shimmers
to that rhythm/dance
   letting the after-storm
scent through
   to this place
of no rain.
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Calder, Art, & Engineers

To an engineer, good enough means perfect. With an artist, there\’s no such thing as perfect.
Alexander Calder

This quote has bothered me for a while. It does not fit my experience of really good engineers. Part of it may be my misunderstanding. The first part of the quote is semi-ambiguous. My understanding is that for an engineer, when a creation meets all its constraints: quality, cost to sell, cost to develop, visual appeal, etc., then it is good enough and therefor perfect. My wife pointed out that it could also be understood as when a creation is a perfect fit for its constraints, only then is it good enough. My experience working in engineer in industry leads to the former understanding. And my experience of really good engineers, inclines toward the latter understanding.

Really good engineers often have a side project where there are not cost or time constraints. Only perfect is good enough. In some supportive commercial environments, perfection is the goal and time and money are secondary.

But what I think Calder is talking about is different. Engineers largely deal with the known, the possible. How to find the balance between the constraints may be difficult or even unknown, but they aren\’t scientists trying to move knowledge from the unknown to the known. Engineers practice turning ideas into reality, scientists discover new ideas of reality. And artists (as opposed to crafts people) venture into the unknown, trying to bring the unknown to consciousness. And in this realm, there is no hard and fast criteria for judging the value of a creation. So perfect is meaningless. Only time will tell.

The art student adding highlights to a manufactured painting is not doing art, any more than a mediocre engineer cranking out a conventional solution to a routine problem is. For example, the Software Factory approach to programming. But great engineers do border on the art Calder is talking about. This is where beauty comes in. The Golden Gate bridge is beautiful, the old San Francisco Bay Bridge is not. Both have competent engineering and are still standing. The new Bay Bridge is beautiful, but the implementation has problems, mostly poor welds. Only time will tell whether it is great or not.

At the time of creation, the artist\’s inner guide is the best criteria. Evaluation by external authorities is a creativity killer, because it usually enforces the status quo and that is what the artiest is trying to go beyond. See Carl Roger \”Towards a Theory of Creativity.\” ETC: A Review of General Semantics 11 (1954): pages 249-260 for more details.

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